There are times in one's life when one realizes that one has simply drawn too many lines for one's own good. Not in the above stanzel, of course, which has precisely the number of lines and squiggles necessary to evoke the horror of a fat, timorous Banker (played here by Karlos Marx) being done away with by a snappy, savage Bandersnatch, played here by a Hindustani monkey who spends his spare time inside a snake charmer's basket.
This business of lines without rest or pause makes a middle-aged cross-hatcher wonder at times: what's it all about, eh? One skips and hops one's way across a page and once one is done, good lord, there's another page! And another and another.
To those readers who come here regularly for a bit of snappy analysis and pithy tomfoolery concerning whatever page of my GN Snark happens to be up for it this week, this must all come as a bit of a surprise.
There are no deep thoughts behind the above stanzel. There is no meaning, hidden or otherwise, nor any subtle message. It's genuine Nonsense of the highest, inkiest, most linear order.
It's just a bunch of subcontinental monkeys and a possessed hookah shanghaing a Banker dressed up to look like Karl Marx until, like this rather depleted illustrator, fainting he falls to the ground.
Next week: more lines! Who would have thought it?
NB. Saturnalia is fast approaching and smart shoppers know that no child's stocking is properly stuffed without a copy of this artist's GN version of the Snark. Not only is it the best thing Lewis Carroll ever wrote but this version goes all out to furnish the little tykes with what one reviewer called a "Surrealist version of Where's Waldo."
And why not lavish a fresh copy of Martin Olson's Encyclopaedia of Hell onto any disaffected, black-clad gothic teenagers you are compelled to know? The LA Weekly has an excellent review of it here and even better, you can buy the full-color poster here. It sure beats having Kurt Cobain on the wall, mom and dad. Available from Feral House or even Amazon.